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The applications of mainstream music technology to facilitate access to creative musical experiences for people with disabilities

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dc.contributor.advisor Edwards, Jane
dc.contributor.advisor Joyce, Sandra
dc.contributor.author Noone, Jason Francis
dc.date.accessioned 2019-02-08T15:16:00Z
dc.date.available 2019-02-08T15:16:00Z
dc.date.issued 2018
dc.identifier.uri http://hdl.handle.net/10344/7570
dc.description peer-reviewed en_US
dc.description.abstract This study investigated applications of mainstream music technology for creative music making by people with disabilities within a person centred music therapy context. The research was undertaken with service users from two Enable Ireland facilities in Ennis and Limerick, Ireland working as independent communities of inquiry. A participatory action research (PAR) methodology was employed (Bradbury, 2015), engaging participants as co-researchers with full control over the research process. The guiding research question was “how does music technology help us to make music together?” The research incorporated an extended epistemology to acknowledge and incorporate different ways of knowing of the functionally diverse research groups (Reason & Riley, 2015). Music was considered the primary meaning- making modality optimising voice and agency of the co-researchers. Each group took part in three iterative cycles of planning, action and reflection to explore and develop skills with MIDI controllers, digital audio software, hand-held devices and apps, electric guitars and adapted video game controllers. The Limerick group conducted public concerts, research lectures and an interactive workshop. The Ennis group performed at their day facility and at an Arts & Disability event and curated a CD of their favourite improvisations. The research suggested that developing and sharing practical knowledge through music technology was an empowering experience. Rhizoanalysis was conducted to resolve and clarify the analysis of the research groups while maintaining a participatory perspective. Rhizomatic readings of selected events from the PAR research sessions identified connective dimensions in the group’s interactions and instances of becoming-musician as facilitated through the deterritorialisation of music technology, and of the interpersonal relations within the communities of inquiry themselves. Themes of modularity, isomorphism, affective synchrony, rhizomatic awareness, the role of effort and DMI fit and disruption of participatory hierarchies were identified by the readings. en_US
dc.language.iso eng en_US
dc.publisher University of Limerick en_US
dc.subject technology en_US
dc.subject creative music en_US
dc.subject people with disabiities en_US
dc.title The applications of mainstream music technology to facilitate access to creative musical experiences for people with disabilities en_US
dc.type info:eu-repo/semantics/doctoralThesis en_US
dc.type.supercollection all_ul_research en_US
dc.type.supercollection ul_published_reviewed en_US
dc.type.supercollection ul_theses_dissertations en_US
dc.rights.accessrights info:eu-repo/semantics/openAccess en_US


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