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Composing identity, fiddling with (post) ethnicity: Liz Carroll’s “Lake Effect”

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dc.contributor.author Dillane, Aileen
dc.date.accessioned 2018-04-10T15:05:27Z
dc.date.available 2018-04-10T15:05:27Z
dc.date.issued 2013
dc.identifier.uri http://hdl.handle.net/10344/6730
dc.description peer-reviewed en_US
dc.description.abstract This paper analyses the title track of the 2002 CD Lake Effect, as composed by Chicago fiddle player Liz Carroll and arranged by Evan Price (featuring the Turtle Island String Quartet), positing the degree to which it is suggestive of post-ethnic identification (Bohlman 2004; Hollinger 2005). Beginning with a nuancing of the various identities performed and negotiated by Liz Carroll the musician and first generation Irish American and Chicagoan, Lake Effect is ultimately understood in terms of its transgressive and transformative features.  Generated from melodic and rhythmic motifs that the composer identifies as Irish, or American, or jazzy , Lake Effect juxtaposes and interpolates sonic indices of different identities in a hybrid, cosmopolitan and potentially post-ethnic structure. en_US
dc.language.iso eng en_US
dc.publisher Canadian Society for Traditional Music en_US
dc.relation.ispartofseries MUSICultures;40 (1), pp. 7-34
dc.relation.uri http://www.cbu.ca/
dc.subject Liz Carroll en_US
dc.subject Lake Effect en_US
dc.title Composing identity, fiddling with (post) ethnicity: Liz Carroll’s “Lake Effect” en_US
dc.type info:eu-repo/semantics/article en_US
dc.type.supercollection all_ul_research en_US
dc.type.supercollection ul_published_reviewed en_US
dc.date.updated 2018-04-10T14:57:12Z
dc.description.version PUBLISHED
dc.rights.accessrights info:eu-repo/semantics/openAccess en_US
dc.internal.rssid 1419449
dc.internal.copyrightchecked Yes
dc.description.status peer-reviewed


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