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The untidy playground: an irish congolese case study in sonic encounters with the sacred stranger

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dc.contributor.author Phelan, Helen Frances
dc.date.accessioned 2017-11-21T10:18:10Z
dc.date.available 2017-11-21T10:18:10Z
dc.date.issued 2017
dc.identifier.uri http://hdl.handle.net/10344/6277
dc.description peer-reviewed en_US
dc.description.abstract This paper explores the proposal that music, and particularly singing, has unique properties that render it amenable to encounters with “the other” or the sacred stranger. Drawing on the deconstructionist works of Kristeva and Derrida, as well as the postmodern hermeneutics of Kearney and Caputo, it explores current debate concerning the nature of “the sacred” in contemporary life and the erosion of the theistic/atheistic divide, while proposing a deepening of the debate through the inclusion of the performative. As philosophical and theological discourses embrace this aporia, it does so against the backdrop of unprecedented human migration. The concomitant cultural and social disruption throws up new questions around the nature and experience of religion, spirituality and the sacred. This paper explores these questions in the context of a Congolese choir called Elikya, which was established by a group of asylum seekers in Limerick city, Ireland, in 2001. In tracking the musical life of this choir over the last decade and a half, including two musical recordings and numerous liturgical, religious and secular performances, it suggests that the sonic world of the choir both performs and transcends these descriptors. Using a three-fold model of context, content and intent, the paper concludes that musical experiences such as those created by Elikya erode any easy divisions between the religious and the secular or the liturgical and the non-liturgical and provide sonic opportunities to encounter the sacred stranger in the untidy playground of creative chaos. en_US
dc.language.iso eng en_US
dc.publisher MDPI en_US
dc.relation.ispartofseries Religions;8, 249
dc.relation.uri http://dx.doi.org/10.3390/rel8110249
dc.subject music en_US
dc.subject singing en_US
dc.subject migration en_US
dc.subject asylum-seeker en_US
dc.subject refugee en_US
dc.subject the sacred en_US
dc.subject creativity en_US
dc.subject sonority en_US
dc.subject Ireland en_US
dc.subject the Congo en_US
dc.title The untidy playground: an irish congolese case study in sonic encounters with the sacred stranger en_US
dc.type info:eu-repo/semantics/article en_US
dc.type.supercollection all_ul_research en_US
dc.type.supercollection ul_published_reviewed en_US
dc.identifier.doi 10.3390/rel8110249
dc.rights.accessrights info:eu-repo/semantics/openAccess en_US
dc.internal.rssid 2735340


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