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Getting past the ‘post-’: history and time in the fiction of David Mitchell

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dc.contributor.author Beville, Maria
dc.date.accessioned 2017-11-02T14:27:55Z
dc.date.available 2017-11-02T14:27:55Z
dc.date.issued 2015
dc.identifier.uri http://hdl.handle.net/10344/6222
dc.description peer-reviewed en_US
dc.description.abstract This paper examines David Mitchell’s Cloud Atlas (2004) and The Thousand Autumns of Jacob de Zoet (2010), with a particular focus on history and narrative time. It seeks to offer an alternative perspective on the multiple and intertwined fictional narratives of Mitchell’s oeuvre as these evidence a move past the "post-" of postmodernism. en_US
dc.language.iso eng en_US
dc.publisher University of Zadar en_US
dc.relation.ispartofseries [sic] - a journal of literature, culture and literary translation;1, (6), 12/2015 - LC.1
dc.relation.uri http://dx.doi.org/10.15291/sic/1.6.lc.1
dc.subject David Mitchell en_US
dc.subject time en_US
dc.subject narrative en_US
dc.subject historiography en_US
dc.subject experimental fiction en_US
dc.subject post-postmodernism en_US
dc.title Getting past the ‘post-’: history and time in the fiction of David Mitchell en_US
dc.type info:eu-repo/semantics/article en_US
dc.type.supercollection all_ul_research en_US
dc.type.supercollection ul_published_reviewed en_US
dc.identifier.doi 10.15291/sic/1.6.lc.1
dc.rights.accessrights info:eu-repo/semantics/openAccess en_US


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