dc.contributor.author | NicGhabhann, Niamh | |
dc.date.accessioned | 2016-12-15T15:10:37Z | |
dc.date.available | 2016-12-15T15:10:37Z | |
dc.date.issued | 2016 | |
dc.identifier.uri | http://hdl.handle.net/10344/5398 | |
dc.description | n/a | en_US |
dc.description.abstract | This essay explores a 2015 exhibition by Irish artist Orla Barry at mother's tankstation gallery, Dublin | en_US |
dc.language.iso | eng | en_US |
dc.relation.ispartofseries | Mother's Annual: The Publication of Mother's Tankstation Gallery; | |
dc.rights | MTS has granted me permission to share this commissioned article with the UL IR | en_US |
dc.subject | Orla Barry | en_US |
dc.subject | Irish art | en_US |
dc.subject | contemporary art | en_US |
dc.subject | Irish art | en_US |
dc.title | NOUGHT YTAUGHT TO SPEKE BY CRAFTE NOUPER BY KYNDE | en_US |
dc.type | info:eu-repo/semantics/article | en_US |
dc.type.supercollection | all_ul_research | en_US |
dc.contributor.sponsor | mother's tankstation gallery | en_US |
dc.rights.accessrights | info:eu-repo/semantics/openAccess | en_US |
dc.internal.rssid | 1645958 |