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Angels and monsters: embodiment and desire in Eva Trout

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dc.contributor.author O'Toole, Tina
dc.date.accessioned 2016-03-03T10:09:04Z
dc.date.available 2016-03-03T10:09:04Z
dc.date.issued 2009
dc.identifier.uri http://hdl.handle.net/10344/4937
dc.description peer-reviewed en_US
dc.description.abstract ‘Books continue each other’,Virginia Woolf suggests, ‘in spite of our habit of judging them separately’. Elizabeth Bowen’s final work Eva Trout (1968) is clearly a case in point in that in order to fully realize the dissident potential of this novel, it is necessary for the reader to revisit some of her earlier experiments with gender and sexuality. It is evident that the transgressive knowledge available to the writer (and reader) of Eva Trout, specifically in relation to issues of female masculinity and same-sex desire, stretches back in place and time to foundations laid in The Last September (1929). en_US
dc.language.iso eng en_US
dc.publisher Irish Academic Press en_US
dc.relation.ispartofseries Elizabeth Bowen: Irish Writers in their Time, Walshe, Eibhear (ed);chapter 11, pp. 162-178
dc.subject Elizabeth Bowen en_US
dc.title Angels and monsters: embodiment and desire in Eva Trout en_US
dc.type info:eu-repo/semantics/bookPart en_US
dc.type.supercollection all_ul_research en_US
dc.type.supercollection ul_published_reviewed en_US
dc.date.updated 2016-03-03T09:51:36Z
dc.description.version ACCEPTED
dc.rights.accessrights info:eu-repo/semantics/openAccess en_US
dc.internal.rssid 1394780
dc.internal.copyrightchecked Yes
dc.description.status Peer reviewed


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