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Sean-nós singing and Oireachtas na Gaeilge: identity, romantic nationalism, and the agency of the Gaeltacht community nexus

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dc.contributor.advisor Joyce, Sandra
dc.contributor.advisor Keegan, Niall
dc.contributor.author Costello, Éamonn Seosamh
dc.date.accessioned 2016-02-03T16:37:48Z
dc.date.available 2016-02-03T16:37:48Z
dc.date.issued 2015
dc.identifier.uri http://hdl.handle.net/10344/4873
dc.description peer-reviewed en_US
dc.description.abstract This thesis examines the relationship between a style of Irish vernacular song, commonly known as sean-nós, and the Oireachtas na Gaeilge festival, Ireland’s oldest arts festival. The Oireachtas is essentially an Irish language festival that was established in 1897, at a time when Romanic nationalism was very much the intellectual zeitgeist throughout Western Europe. As such, the Oireachtas tends to be viewed in the literature as a Romantic nationalist movement. Romantic nationalism is often described as a homogenising ideology, and a number of scholars suggest that the Gaelic revival of the late 19th century, which spawned the Oireachtas, has had a standardising influence on various forms of vernacular Irish cultural expression. Much of the literature that deals with so-called ‘folk-revivalist’ movements, like the Oireachtas festival, frames them as gentrifiers and expropriators of vernacular culture. While this is undoubtedly true in many ways, it is an interpretation that tends to overlook the agency of the so-called ‘folk’ in revival movements. It is also an interpretation that imagines the revival movement and the ‘folk’ as essentially two separate cultural formations. Here I argue that —although initially the Oireachtas exploited and gentrified vernacular Irish language song for its own nationalist agenda— over time vernacular singers increasingly came to have more power within the movement’s membership. In fact, I would argue that the singing competition should be regarded as a discrete musical community made up of individuals from within and from outside the Irish speaking districts of Ireland (Gaeltacht). I suggest that what is considered appropriate musically and aesthetically within this musical community has been informed by a blending of Romantic nationalist ideas — concerning cultural essences— with more idiosyncratic ‘native’ ideas concerning good performance. en_US
dc.language.iso eng en_US
dc.publisher University of Limerick en_US
dc.subject Irish vernacular song en_US
dc.subject Oireachtas na Gaeilge en_US
dc.subject sean-nós en_US
dc.subject nationalism en_US
dc.title Sean-nós singing and Oireachtas na Gaeilge: identity, romantic nationalism, and the agency of the Gaeltacht community nexus en_US
dc.type info:eu-repo/semantics/doctoralThesis en_US
dc.type.supercollection all_ul_research en_US
dc.type.supercollection ul_published_reviewed en_US
dc.type.supercollection ul_theses_dissertations en_US
dc.rights.accessrights info:eu-repo/semantics/openAccess en_US


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