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Negotiating boundaries in Irish step-dance performance practice: Colin Dunne and piano one (i)

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dc.contributor.author Foley, Catherine E.
dc.date.accessioned 2015-02-17T13:43:59Z
dc.date.available 2015-02-17T13:43:59Z
dc.date.issued 2010
dc.identifier.uri http://hdl.handle.net/10344/4297
dc.description non-peer-reviewed en_US
dc.description.abstract The cultural construction of Irish step dance embodies diverse performative meanings: meanings which are shared by different communities of step dancers. From informal, improvisatory performances to formal, stylised and highly structured performances, step dance adapts, is adapted and appropriated to give meaning and kinaesthetic expression to both the individual step dancer and the group within these diverse dance communities. In this paper I look at notions of conceptual and aesthetic boundaries in Irish competitive step dance and at how step dancers attempt at negotiating these boundaries. en_US
dc.language.iso eng en_US
dc.publisher Irish World Academy of Music and Dance, University of Limerick en_US
dc.relation.ispartofseries Inbhear: Journal of Irish Music and Dance;1 (1)
dc.subject Irish step dance en_US
dc.subject performance en_US
dc.title Negotiating boundaries in Irish step-dance performance practice: Colin Dunne and piano one (i) en_US
dc.type info:eu-repo/semantics/article en_US
dc.type.supercollection all_ul_research en_US
dc.rights.accessrights info:eu-repo/semantics/openAccess en_US


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