Abstract:
This dissertation examines creative processes within competitive Irish step dance. The
primary objective of the study is to investigate whether it is in fact possible for one to
be creative within this dance genre. Based on the evidence produced, it is argued that,
despite the highly regulated nature of competition culture, competitive Irish step
dance is nonetheless conducive to creativity. Following consideration of the historical
and institutional context for the development and regulation of competitive Irish
dance, the research findings presented in the thesis place particular focus on the
World Championships in Irish dance held in Belfast in 2006. Events such as the
World Championships are where the best dancers compete against their peers and
where new movements and steps are showcased and are either accepted into the idiom
or eschewed.
The analysis presented outlines the development of competitive step dance, with
particular emphasis on developments during the post ‘Riverdance’ and ‘spectacle
era’. Through ethnographic methods, it explores the social and cognitive processes of
Irish Dance, examining in detail the winners of the 18-19 ladies’ and gentlemen’s
competition at the World Championships 2006.
Building on research carried out in the relatively new field of Irish Dance studies, the
thesis argues for the inclusion of Irish dance in more general fields of Dance Studies
and indeed of Irish Studies. Furthermore, it seeks to contribute to anthropological
studies, dance education, ethnomusicology and ethno-choreology incorporating
methodologies such as transcription, labanotation and fieldwork from an insider
perspective in the post-spectacle era of Irish dance. It strives to bridge the gap
between theory and practice and it is hoped that it will encourage other Irish music
and dance practitioners to engage with academic research and reflection.
Ultimately, it is advanced that creative opportunities within competitive Irish step
dance are many, as the restrictions imposed by the regulatory nature of competition
challenge the competent dancers to be more daring, push the boundaries without
losing the sense of Irish dance aesthetic that will be accepted into the tradition.