University of Limerick Institutional Repository

Browsing Centres Science and Engineering by Author "Hagan, Kerry L"

DSpace Repository

Browsing Centres Science and Engineering by Author "Hagan, Kerry L"

Sort by: Order: Results:

  • Hagan, Kerry L (2012)
    The new work, Morphons and Bions (2011), is a realtime computer music work generated in Pd. All sounds in the work are synthesized as opposed to recorded. The sound sources rely fundamentally on white noise and digital ...
  • Torre, Giuseppe (University of Limerick, 2013)
    A live performance using novel technologies is a highly complex system in which anthropological, sociological, psychological, musicological and technical issues are heavily involved. The New Interfaces for Musical ...
  • Hagan, Kerry L (2012)
    This paper is predicated on the argument that searching for the meaningful in electroacousticmusic is to use different means for different pieces, while remaining situated within the historical context of electroacoustic ...
  • Hagan, Kerry L (Electroacoustic Music Studies Network, 2014)
    This paper is predicated on the argument that real-time computer-generated music exists on a spectrum of liveness . First, a brief discussion of liveness situates the question of liveness in real-time computer music. Then, ...
  • Hagan, Kerry L (2013)
    Morphons and Bions is a real-time, computer-generated work that uses white noise as the fundamental synthesis component combined with classical synthesis techniques. Random and stochastic processes control the synthesis ...
  • McCourt, Stephen John (University of Limerick, 2011)
    This thesis and the accompanying body of work explore the relevance of sonic images to the composition and analysis of electroacoustic music. While the importance of intrinsic sonic properties is not overlooked, an ...
  • Galvin, John (University of Limerick, 2013)
    This PhD by practice presents a theoretical and methodological exploration of what Lev Manovich has termed spatial montage. In essence spatial montage may be understood in opposition to traditional, temporal montage (the ...
  • Greenwood, John Samuel (University of Limerick, 2011)
    This thesis describes a compositional process that is homogeneous to LaMothe’s four modes of organising experience: corporeal-contiguous, taxonomic-object, symbolic-subjective and narrativecommunal. It begins with the ...
  • Hagan, Kerry L (2008)
    The aesthetic implications of real-time stochastic sound mass composition call for a new approach to musical material and spatialization. One possibility is found in the fertile ground of musical texture. Texture exists ...
  • Hagan, Kerry L (2008)
    An approach to the creation of musical material, coined here as “textural composition,” addresses aesthetic consequences of real-time stochastic sound mass composition. Musical texture as source material exists between ...

Search ULIR


Browse

My Account

Statistics