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Browsing Departments Kemmy Business School by Author "This study offers an autoethnographic account of a homosexual man as a means of unfolding the role of embodied experience in identity formation. The account explicates how consumption of a transcendental and paradoxical form of dance called Tandava, or ‘the cosmic ballet’, empowers someone to deal with identity issues at a key liminal juncture. In particular, we explore how the homosexual body mobilizes the embodied experience of dance to negotiate identity issues. The dance, the sonic effects of drumbeats and Shiva Tandava Strotam (hymn), and the symbolism inherent in material objects such as the trident become mechanisms of personal agency."

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Browsing Departments Kemmy Business School by Author "This study offers an autoethnographic account of a homosexual man as a means of unfolding the role of embodied experience in identity formation. The account explicates how consumption of a transcendental and paradoxical form of dance called Tandava, or ‘the cosmic ballet’, empowers someone to deal with identity issues at a key liminal juncture. In particular, we explore how the homosexual body mobilizes the embodied experience of dance to negotiate identity issues. The dance, the sonic effects of drumbeats and Shiva Tandava Strotam (hymn), and the symbolism inherent in material objects such as the trident become mechanisms of personal agency."

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