| dc.contributor.author | Kelly, Michael G. | |
| dc.date.accessioned | 2012-11-07T16:23:05Z | |
| dc.date.available | 2012-11-07T16:23:05Z | |
| dc.date.issued | 2005 | |
| dc.identifier.uri | http://hdl.handle.net/10344/2661 | |
| dc.description | peer-reviewed | en_US |
| dc.description.abstract | A commitment to the thinkable specificify of a particular century, with literature as the apparent object, can provide intimations of the currency-lives of words. Authorial names become a vector of differentiation, accumulating suggestive powers through their constant positioning and re-positioning in the retrospective cortstruction of cultural change. Epochal generalities flow somewhat paradoxically from an arrangement of proper nouns: | en_US |
| dc.language.iso | eng | en_US |
| dc.publisher | Peter Lang International Academic Publishers | en_US |
| dc.relation.ispartofseries | Currencies: Fiscal Fortunes and Cultural Capital in Nineteenth-Century France;French Studies of the Eighteenth and Nineteenth Centuries,Cjapitanio, Sarah/Dowling,Lisa/Rowe, Paul/White, Nicholas;20, pp. 105-117 | |
| dc.rights | © Peter Lang International Academic Publishers | en_US |
| dc.subject | literature | en_US |
| dc.subject | Schwob | en_US |
| dc.title | Mut(e)ability: issues of uniqueness, equivalence and human agency in Schwob's Dialogues d'utopie | en_US |
| dc.type | info:eu-repo/semantics/article | en_US |
| dc.type.supercollection | all_ul_research | en_US |
| dc.type.supercollection | ul_published_reviewed | en_US |
| dc.rights.accessrights | info:eu-repo/semantics/openAccess | en_US |